Art, authenticity and appropriation
Identifieur interne : 000447 ( Main/Exploration ); précédent : 000446; suivant : 000448Art, authenticity and appropriation
Auteurs : James O. YoungSource :
- Frontiers of Philosophy in China [ 1673-3436 ] ; 2006.
English descriptors
- Teeft :
- Aboriginal, Aboriginal culture, Aboriginal cultures, Aesthetic failure, Aesthetic flaw, Aesthetic flaws, Aesthetic handicap, Aesthetic handicap thesis, Aesthetic merit, Aesthetic properties, Aesthetic property, Aesthetic triumph, Aesthetic value, Aesthetic virtue, Aesthetics, American performer, Amiri baraka, Appropriate content, Appropriation, Artistic practices, Artwork, Aspiring artist, Authentic instances, Authentic works, Authenticity, Authenticity argument, Bach harpsichord concerto, Baraka, Beijing, Beijing opera, Berys gaut, Blues experience, Blues performance, Cambridge university press, Chinese universities, Christian perspective, Contemporary musicians, Content appropriation, Continuous vibrato, Cultural appropriation, Cultural background, Cultural context, Cultural experience argument, Cultural significance, Derivative, Early music, Early music movement, Eighteenth century, Existential authenticity, Existentially, Existentially inauthentic, First point, Flaw, Flawed works, Forgery, George frederic handel, Good music, Goodman, Great deal, Handel, Inauthentic, Inauthenticity, Individual genius, Initial plausibility, Innovative, Innovative content appropriation, Insider, Kennick, Literary work, Many people, Middle class whites, Necessary condition, Observable features, Original context, Other cultures, Other works, Outsider, Paisley livingston, Performance practices, Personal authenticity, Personal inauthenticity, Philos, Philosophical aesthetics, Pierre menard, Poor sharecroppers, Provenance, Provenance authenticity, Radford, Renmin university, Same culture, Same point, Same style, Second sort, Similar point, Style authenticity, Successful works, Such works, Sufficient condition, Technical progress, Wide range, William morrow.
Abstract
It is often suggested that artists from one culture (outsiders) cannot successfully employ styles, stories, motifs and other artistic content developed in the context of another culture. I call this suggestion the aesthetic handicap thesis and argue against it. Cultural appropriation can result in works of high aesthetic value.
Url:
DOI: 10.1007/s11466-006-0019-2
Affiliations:
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I call this suggestion the aesthetic handicap thesis and argue against it. Cultural appropriation can result in works of high aesthetic value.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Young, James O" sort="Young, James O" uniqKey="Young J" first="James O." last="Young">James O. Young</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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